"As I was reading the comic for the 100th time the woman of the foster couple, seeing the story I was reading was about a redheaded woman like my mother, grabbed it out of my hands and threw it across the room yelling at me to get over it, my mother was dead and long gone, and she was my mother now. It couldn't have hurt more if someone had jammed an icepick into the base of my skull."
In the groundbreaking but banned novel "Ulysses," by James Joyce, the modernist author most notably known for his stream of consciousness writing style, takes the reader on an 18 hour journey through the central character's life starting around 8:00am Thursday June 16, 1904, ending in the early morning hours of June 17 and does it in only 732 pages. People liked it though because it was banned. No matter that it just followed the day in the life of a real person. It talked about sex and brothels and all kinds of other bad stuff. The thing is, most people can't get past the first 37 pages. It may be something you consider before continuing.(see)
THE WANDERLING AND JAMES JOYCE'S ULYSSES
THE SAME OR DIFFERENT?
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The redhaired woman written about in the opening quote at the top of the page was named Firehair. In several places, in conjunction with Firehair, I write that both my mother and her sister, my aunt, had beautiful long red hair. In that they were so close together age-wise and looked so much alike almost everybody mistook them for twins. Although I do not remember much about my mother I remember my aunt very well, and because of their look alikeness I always felt I had a good idea of what my mother looked like. In conjunction with Firehair, as a young boy I always held a certain affinity towards her character because I liked to believe that my mother, with her red hair and all, would have been like her, maybe even, since I never went to her funeral, found by Indians and saved.(see)
Not unlike any number of other kids my age, as a young boy growing up, I held an inordinate amount of comic book heroes and super heroes in high esteem. While most of my peers seemed to lean heavily toward Superman and Batman, at the top of my list was Captain Midnight, followed more-or-less a couple of rungs down by Captain Marvel and the Spirit. I did, however, have another comic book hero right up there with my favorites that fell into the heroine bracket. Her character centered around a woman who, according to the storyline, had been found near death and saved by Native Americans. She was then adopted into the Dakota Tribe who gave her the name Firehair because of her red hair.
Although I knew of and followed most of the comic book and movie western heroes such as Roy Rogers, Gene Autry, Lash LaRue, and the Durango Kid, Firehair more-or-less came into my life through subterfuge. While there is a lot of truth to the fact that almost every male of my era and of my age knew who Sheena, Queen of the Jungle was, more so for attributes other than her jungle survival skills, Firehair, seemingly equally endowed with similar attributes, albeit sagebrush oriented rather than jungle oriented, was somewhat different --- at least for me.(see)
In 1950 my father and Stepmother went on an extended two-year trip to Mexico and South America. Once again our de facto family was split up and I was sent to live under the care of a foster couple, my third not counting relatives, since my mother got ill and passed away.
In the time period we are talking about here I was older, around 11 or 12, with history. Placing me was getting harder and harder. We had pretty much ran through every friend, family member, and shirt-tail relative we could find. With my father, stepmother, brothers and grandmother all elsewhere with lives of their own and my Uncle just on the cusp of returning to Santa Fe and not able to take me, I was basically left hanging. Without many options, after some heavy negotiating that bordered on pure begging by my uncle he was eventually able to convince the woman who had agreed to care for my younger brother to take me in as well.
I don't recall if I started an even school year or not when my younger brother and I moved, but I do know by April 1951 I was fully ensconced, however good or bad, and my uncle was long gone. I can easily pinpoint April of 1951 because on Friday, April 6th (some dates say the 27th) the science fiction movie The Thing was released and the next day I rode my bike for miles from our neat and prim tract home, clear up to the suspect area corner of Imperial Highway and Vermont Avenue, the closest place the movie was playing. She had told me not to go or take my brother, of which I did both and she was livid. I remember that date specifically because I got in a lot of trouble that weekend --- although, if I remember correctly, the movie was worth it.(see)
One day I traded two or three comics for a copy of Rangers Comics #63 dated February 1952 (linked below), a comic I wanted for two reasons. One, the lead off story was about Firehair, who I had not seen anything on since leaving the ranch I was living on under the auspices of my uncle. And secondly, it had a section on Billy the Kid, whose gravesite I had gone to with my uncle on one of our travels as well as a story on the lost continent of Atlantis, a story that unknown at the time, would play a major role between me and a man I came to call My Merchant Marine Friend. As I was reading the comic for the 100th time the woman of the foster couple, seeing the story I was reading was about a redheaded woman, grabbed it out of my hands and threw it across the room yelling at me to get over it, my mother was dead and long gone, and she was my mother now. It couldn't have hurt more if someone had jammed an icepick into the base of my skull.
As South America loomed ever closer on the horizon for my stepmother, within minutes of departure actually, seeing there was a good chance I would end up living with Pauline, she gave an envelope to my uncle to give to me. It was addressed to a man named Russ Miller, the owner of the Normandie Club, one of six legal poker casinos in Gardena, the city Pauline lived in. I knew that no 12 or 13 year old kid could go up to the front door and walk right in. I also knew if I didn't give the letter directly to Miller he might not get it. So I went around to the back door and talked to the help. One of them was kind enough to get someone to get Miller and I handed him the envelope.
Miller looked the letter over for a few minutes, asked how my "mother" was, then after a bit of small talk wanted to know what is was he could do for me. I told him I was looking to earn some money and was hoping for some kind of regular after school or weekend work. He asked what grade I was in and stretching the truth a bit I told him I went to Gardena High. He said come back in a couple of days and ask for Rick. Which is what I did and how I got a job.
As soon as I saved a few bucks after my dad, who visited for a few hours one afternoon, told me that my stepmother, or ex-stepmother as case may have been by then, had returned from South America as well and was in the process of taking up residence on a huge new ranch she just purchased or was in the process of purchasing in the Mojave Desert, I packed up a handful of necessities including the comic book and ran away in search of her.(see)
AN OEDIPUS COMPLEX OR JUST A COMIC BOOK?
In the opening paragraphs at the top of this page, speaking of my real mother (my biological mother as opposed to my stepmother) I write:
"(I)n conjunction with Firehair, as a young boy I always held a certain affinity towards her character because I liked to believe my mother, with her red hair and all, would have been like her, maybe even, since I never went to her funeral, found by Indians and saved."
A number of readers of my works, some tongue-in-cheek some obviously more serious in their tone, some leaning towards a certain creepiness even, have a tendency to read more into what I have written in the previous quote and into any intention included or not included in my meaning therein. Although I do not particularly recall thinking about it while writing what I have presented here regarding Firehair, nor do I recall thinking of it previously, now that it has been brought to my attention I do get a kick out of the tongue-in-cheek side, not so much so the other side.
What they are getting at and what I am talking about is graphically illustrated in the page below from one of the Firehair stories. Their attention is directed toward a time when Firehair was a priority in my life. Since there IS a sort of a sensuous Sheena, Queen of the Jungle look about her, as the virile young boy I was growing up, they ask, was my application of interest in Firehair superimposed over my own mother more Oedipus in nature than otherwise?
RANGER COMICS #37 OCTOBER 1947
The whole Oedipus Complex is a huge Sigmund Freud thing. Freud was big into egos and such. On my side of things, the Zen side, dissipation of the ego or non-ego is what has always been in play. So too, in my early years when most of the above was going down, because of my staunch interest in such western heroes as Roy Rogers, Gene Autry, et al, I really sort of fell under the general guidelines most of them advocated called the Cowboy Code of the West which sort of preempted or didn't really allow much room or fertile ground for such things as Oedipus Complexes to take root.
For me personally, at least as I saw it, Firehair notwithstanding, the Freudian psychoanalytic theory called the Oedipus Complex, of which Freud superimposed over the even more questionable straw-woman of 'mother fixation' never seemed to enter into any of my early endearments toward those of the opposite sex --- although there are those who would, could, and as I have pointed out, in their opinion, have cited otherwise.
There were two other red haired female comic book characters other than Firehair that showed up in my life that I liked a whole heck of a lot as well. They just never got the "screen time" like Firehair because unlike Firehair I didn't relate either of them in my works to my mother like I did with Firehair, which in turn brought about all the Oedipus Complex comments, followed then by a superfluous need to reply. Nor was I reading about either of them during the time that the woman of the couple I was fostered to threw a fit causing me to run away. None of those things. One was published in the comic book Wings every month and the other in Jumbo Comics, appearing monthly as well, albeit late into the war and after. I simply read them and moved on --- except for one occasion in my works where one of them got caught up in an adventure that involved the Flying Tigers and P-40s. That story I made a full site on. That particular red headed woman was Jane Martin, War Nurse. The other red headed woman was Sky Girl. Like, were they hot or what:
JANE MARTIN, WAR NURSE MEETS THE FLYING TIGERS
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GINGER MAGUIRE, NICKNAMED SKY GIRL
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MARY MAGDALENE: RED HAIRED HARLOT (OR NOT)
On the third page of ZEN ENLIGHTENMENT: The Path Unfolds, relating living with my artist uncle some years following the death of my mother, I write that it was under his auspices somewhere approaching or near age ten that I first read the Leonardo Da Vinci story as found in True Comics, No. 58, March 1947 titled 500 Years Too Soon. Within a few days of having read 500 Years Too Soon for the first time I saw the 1947 Johnny Weissmuller Tarzan movie titled Tarzan and the Huntress. No sooner had I seen the movie than my interest in Da Vinci flying machines exploded after I saw the scene where Tarzan's son Boy builds a glider-type plane capable of flying and their chimp Cheetah, apparently gauging the glider's potential, steals it. Hanging on for all it's worth Cheetah jumps off some rocks and covers quite some distance before crashing into the trees. Haranguing my uncle over and over on the idea of flying in the same manner, he eventually laid out a life size drawing of a Da Vinci like craft on the floor of the studio and from there, together, we built an actual machine capable of flying while carrying a person, hopefully me, in flight.
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I had no real idea what my uncle's ultimate plan for the machine was, that is, were we building it simply as an intellectual execution of time and learning, or were we actually going to fly it. For me there was no doubt. There was also no doubt who the pilot would be either, but rather than receive a chance of being stonewalled or receiving a staunch no vote, I took it upon myself to bypass any obstacles, man made or otherwise. With the help of my best friend we hauled it to the roof top of the house across the street with the following results:
"One day I took the craft to the top of a nearby two story building and holding on for dear life, jumped off. At first the flying machine held fairly steady, maintaining altitude and covering a rather substantial distance. Then suddenly the craft stalled, I lost control and it dropped like a rock from a pretty good height, crashing into the front porch and through the windows of neighbor's house across the street. The machine escaped any real major damage and so did I.
"Even though the flight ended not as smoothly as I hoped, primarily because of lack of experience on my part, or as the case may be, none at all, and as I discovered, perhaps the lack of any sort of actual flight control mechanisms as well, I considered my attempt a success --- especially so because of the distance covered before I lost control."
A couple of nights later, standing in the dim light of the garage looking up at the wrecked craft suspended from the rafters as I had been doing nearly every night since my attempt to fly the thing, a car drove up in the alley stopping in front of the open garage door. Four men got out of whom one was my godfather. My godfather's role in the family was similar to my uncle's. The same as my uncle oversaw me under the auspices of my Stepmother, my godfather, under the auspices of my dad, oversaw my older brother, one of the few people other than my dad that could. When it came to our stepmother, my older brother hated her and made her life as miserable as possible. He remembered our real mother and our family and would not accept her in any role --- plus she interfered with his relationship with our father. He wanted him exclusively and did not like the fact that she took basically all my dad's time.
Although my godfather took watching my brother seriously, when he wasn't watching him he was either drinking or gambling or both. He usually bet on the ponies through bookies or played poker in a series of rotating local games, usually using other peoples money or the monthly stipend my father gave him. The men he was traveling with that night were typical, culled from a larger circle of acquaintances, lowlifes, small time mobsters, gamblers, and card buddies. Just as they were driving up, and what none of us knew, my stepmother's driver had crossed the compound into my uncle's studio from the other way and then, in the dark, stepped into the garage. The men came in carrying beer bottles all rowdy from drinking when one of them said, looking up at the flying machine, "The kid needs the Patron Saint of Aviators if he's going to fly that piece of shit again," followed by another man saying, "Knowing his mother he would be more at home with Mary Magdalene," speaking, of course, my mother being my stepmother, which most likely the lowlife wouldn't know or discriminate against.
"With that my stepmother's driver stepped out of the dark, all dressed in his $1000.00 dollar suit and perfectly sharp edged dark grey fedora, looking all the same as the Spirit without a mask than a driver and said, 'Maybe you should be watching your tongue more around the boy, heavyweight.' The men, my godfather, and me included, clearly set aback by his sudden appearance seemingly out of nowhere, the men, in an unchoreographed unison began slowly edging back closer to the open door. My godfather, having a personal working relationship with the driver, immediately put both arms up in front of him mid-chest high with open palms facing towards the driver, and calling the driver by his known name, said, 'Nobody meant no disrespect, Nighttime.' The driver stepped more into the light saying, 'Tell them now is a good time for them to leave.' Of which they did. The driver said he needed to talk to my godfather and as they were leaving he turned to me and calling my stepmother 'mom' the same as I called her, said he didn't think my mom would be very pleased if she knew I was in an open garage at night all alone with the garage door up, and with that, I put the door down as quick as I could."
MARY MAGDALENE: The Awakened Apostle
Back up the page I talk about a comic book super hero named Captain Marvel that I followed closely as a young boy. When Captain Marvel, as a young boy was being taken to see Shazam, the wizard that would grant him super powers, he was taken through a vast underground passageway that had carved into the walls statures of the Seven Deadly Enemies of Man, shown in the comic book as Pride, Envy, Greed, Hatred, Selfishness, Laziness, and Injustice. In the bible Mary Magdalene is portrayed as having been cleansed of seven sins, oftentimes with those sins said to be the biblical seven sins of Pride, Envy, Greed, Gluttony, Anger, Sloth, and Lust. Notice how close the seven sins in the bible parallel the one's in Captain Marvel, except for one thing. Captain Marvel has taken out and replaced Lust. I guess Lust was to controversial for the young boy Captain Marvel reading audience. I myself, however, was learning about the Seven Deadly Enemies of Man at the same time I was learning about the travails Mary Magdalene faced, but hers included lust.
BILLY BATSON MOMENTS BEFORE THE ANCIENT MAN GRANTS HIM THE POWERS TO BECOME CAPTAIN MARVEL
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Because of lack of savvy on my part in those days I may not have assigned a whole lot of significance to the above scenario. However, little by little, drip by drip, I was beginning to learn I was being nudged rivulet by rivulet along the edges of a small creek estuary into a tributary toward a major river to a much larger sea. Becoming aware that there was something known as the Patron Saint of Aviators was in itself big, but Mary Magdalene? Just the sound of the phrase name-like words strung together for the first time, for reasons unknown, wisped through the air and down into my brain as if I was bathed in extasy. Interestingly enough, in my own pursuits as I discovered later on, in almost every major painting or depiction of her from before the Renaissance to modern times, with some exceptions where she is passed off as being repentant, Mary Magdalene is shown with long flowing red hair, as seen for example in the painting below created by Piero di Cosimo circa 1490-95.
MARY MAGDALENE BY PIERO DI COSIMO 1490-95
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For the record, red haired women such as Firehair and Sky Girl in comic books or Renaissance paintings with Mary Magdalene notwithstanding, in real life there has never been a red headed girl that reached the level of what I would even call a girlfriend. I tried really hard with a regular at the Insomniac coffee house in Hermosa Beach named Jolene without success. Otherwise the highest was a friend girl, but never a girlfriend, in high school. Even if it could have been something it never got off the ground. My dad was a carpenter, so in high school they put me in woodshop. Her father was a doctor, so they put her in college prep classes. She went to college after high school. I was drafted into the Army. That particular red hair high school friend girl did however, play a major role in my life, not because of her hair color but because of her name. See:
BARBARA BACK, SOMERSET MAUGHAM: THE LETTER
A YOUNG BOY'S EARLY INFATUATION EXPERIENCES
Chronologically, my first major infatuation experience that I can remember, at least that I bring up in my writings, is found in two places: The Wanderling and His Uncle and Fifie Malouf. That infatuation experience, and I remember it well, revolved around a woman who was a country western singer --- and of which it is true --- was much closer in age to what my mother would have been than she was to me.
It all started sometime after the death of my mother when I was just a kid and sent to live with a foster couple that owned a flower shop. Around that same time, not far from their shop, a huge onetime ballroom that had fallen on hard times during the war was converted into a western-swing dance venue that was soon pulling in 10,000 visitors on the weekend.
It wasn't long before the flower shop couple discovered it could be quite lucrative to sell corsages and boutonnieres to couples attending the dances, so they put me to work circulating through the crowd selling flowers --- sometimes being on the floor as late as midnight. During that period of my life there was a female vocalist that sang with a couple of the headliners that, even though I was a kid, I had become deeply smitten with. I don't recall her name, however, as I remember her, and although she wasn't, she looked an awful lot like a cowgirl version of a popular movie star of the time named Veronica Lake. Long platinum blonde hair, ruby-red lips, and dressed in the finest female western singer regalia --- white cowboy boots, above the knee white satin skirts, fringed all the way around with hundreds of little strings, topped with white satin western-style blouses with snap buttons, big embroidered red roses and arrow-ended pockets.
1940s PLATINUM BLONDE MOVIE STAR VERONICA LAKE
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Whenever the cowgirl came on stage to do one of her numbers and I was selling flowers I would go sit on the edge of the stage and just stare at her. Somehow, and I do not remember how, we began talking and over time we became friends. She always told me she would marry her boyfriend someday and take me away with her, living happily ever after. Of course, such was not the case. It not happening continues to tug at my heart even to this day and remains one of the biggest disappointments of my life.
My second infatuation occurrence circulated around a person I never really met. Again, she was a grown woman and the author of a book about the Flying Tigers titled The Lady and the Tigers. Her name was Olga Greenlaw. I read her book when I was a very young boy and through her writings, which I read over and over, I discovered from every angle that she was exotic, fabulously beautiful, sometimes cunning and albeit, usually underplayed, smart-as-a-whip. Her preeminent standing in the Flying Tigers stemmed initially from her marriage to Col. Harvey Greenlaw, the second in command of the Flying Tigers. However, over time, because of who she was, the right person in the right place at the right time, it took on a life of it's own. To this day, in some fashion I am not over her.
OLGA GREENLAW
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During the same period of time that Olga Greenlaw was making waves in my budding male imagination there was a trio of girls in the same grade-school class I was in named after months or the year, April, May and June. One of the months and I developed sort of crush on each other. However, I don't remember as much about her as I do events that transpired because of her. I'm not even sure which month she was. So said, I am leaving the month girl out of the equation. The events though are another thing.
There was a boy in the same class who liked one of the month girls too, and because of our shared interests we got to know each other. For pocket money he used to go around back alleys collecting empty beer and pop bottles, turning them in for the deposit and a couple of times, after we got to know each other, I went with him, an endeavor that was all new to me. Pretty soon he and another buddy and I were towing a wagon through the alleys collecting large numbers of bottles, of which in turn we turned in for cash at a variety of places.
One of those places was a bar not far from where I lived. We would go to the door in the alley in the back of the bar and an old Chinese man who washed dishes and such would count the bottles after which the bar manager would give us money. In the process, the young nine or ten year old boy that I was got to know the elderly Chinese man with the following results:
"Sitting in the shade on the back steps amongst the garbage cans and flies behind the bar one afternoon, while drinking hot tea out of tiny little cups with no handles in a near ritual-like tea ceremony he insisted on, the elderly (to me) Chinese man told me a story about the bombing of Japanese occupied Taiwan by B-29 Superfortresses of the United States Army Air Force during World War II. He said from ancient times there was a 'girl Buddha' whose followers believed that reciting the mantra Om Mani Padme Hum, would, because of her compassion, deliver them from harm. He said even though he himself had not practiced or invoked the mantra, while seeking refuge in the midst of the attack he inadvertently ended up amongst a group of believers who were also running to find shelter from the explosions. Then, while within the group, most of whom were verbally repeating the mantra, overhead, pure white and almost cloud-like the 'girl Buddha' appeared in the sky above them actually deflecting the trajectory of the bombs away from their exposed path until they reached safety and out of harms way."
The Green Lama, as so mentioned as the source the above quote comes from, was a 1940s comic book superhero whose alter ego was one Jethro Dumont, a rich New York City resident and man about town, who, if necessity demanded it and he recited the Jewel Lotus Mantra Om Mani Padme Hum, he would, not unlike Billy Batson saying Shazam and becoming Captain Marvel, underwent a startling and dramatic change after repeating the mantra, becoming the Green Lama, acquiring not only the ability to fly, but also super strength and invulnerability --- even to having bullets bounce off him a la Superman and Captain Marvel. The Green Lama and the "Om Mani Padme Hum" mantra came up one day because the old Chinese man had a whole stack of near-new mint condition Green Lama comic books he kept in a small storage area in rear area of the bar, of which to recount the story of the 'girl Buddha' he dug out the comics.
During those back alley sessions, if the Chinese man used any names relative to the "girl Buddha" I don't recall them. Anything I know about her other than his description of the protection she provided, I have garnered later in life. Basically the "girl Buddha," or more respectfully, female Buddha, is known as Kuan Yin (also know as Quan Shi Yin and Kwan Yin), a Chinese female incarnation of Chenrezig (Avalokiteshvara) the Bodhisattva of Compassion. A bodhisattva is an Enlightened being who has decided to "stay in the world" rather than becoming a fully Enlightened Buddha and living a compassionate life for the sake of all beings. With the mantra, Om Mani Padme Hum, Kuan Yin tirelessly attempts to deliver all beings from suffering.
April, May, and June were inseparable, going everywhere and doing everything together. Somewhere along the way one of the month girls and I developed a semi-crush on each other. Although I can still see her as plain as day I can't remember which month she was, but for the sake of argument I will say she was June. My best buddy Martin liked April and another guy in the class, Nathaniel, liked May. The three girls would stay after school and play on the playground on a regular basis and when they did Martin and I would stick around to watch them or join in depending on what activity they may have been doing. Nathaniel, or Nat as he went by, stuck around too hoping to interact with May as much as possible. As it was, Nat was the biggest, meanest, bully-type guy in school, but after school in the empty playground, around May he had to act like a good guy in order to get her attention and impress her with how nice he was. In he process, with his guard down around May, he and I actually became friends.
"Nearly as quickly as I had moved into my stepmother's compound than my brothers and I discovered there were three easily accessible movie theaters close by, two a few blocks up the street near Washington and Arlington, one near Western and Adams. In those for-the-most-part pre-TV days, we continually went to the theaters to see such films as Flying Tigers, Back to Bataan, Cry Havoc, They Were Expendable, and Sands of Iwo Jima, along with a whole host of westerns, Frankenstein and Mummy movies and a never ending supply of Tarzan movies, cartoons and serials, especially so, because he had been one of my heroes throughout the war years, my favorite, Captain Midnight. Probably my most favorite, favorite movie in those days, at least of the wartime themed variety, that is up until I saw Flying Tigers, was The Fighting Sullivans. The Fighting Sullivans was about five brothers from Iowa that all joined the Navy together at the same time only a few months after Pearl Harbor. Released in 1944, but not seen by me until much later, the movie most likely resonated so deeply with me because my brothers and I had been reunited, and at the time unknown to me that such would not be the case, I thought this time it would last."
As mentioned a few paragraphs back, for pocket money, Nat would go around the back alleys collecting empty beer and pop bottles, turning them in for the deposit, something I had never heard of or even thought of. Seeing the possibilities of huge amounts of cash flowing in it wasn't long before Nat, Martin, and I joined together towing a wagon through the alleys collecting large numbers of bottles. As it was Nat and I loved the movies and spent a large sum of our money on going to the show, buying popcorn, and eating Raisinets. Martin, he was always a little more practical and always had money in his pockets well after Nat's and mine was long gone. Where Nat and I would go to see the same movie a hundred times, at least for the most part, more than once, seldom would Martin pay to go a second time, although like us, he would often stay through for another showing, especially Tarzan flicks. Which by the way, Tarzan flicks with Jane led the three of us on one of our biggest girl related adventures of our young lives. We had a semi-automatic Colt.45 stuck in our faces by some thugs, or at least I did, and why we all didn't end up in Juvie or dead is still not clear. It all had to do with one of almost every straight teenage boy's dream and one of Jane's most fully exposed intimate female body parts at the top of her legs --- known to the film censors as her forbidden zone. See:
IN THE JUNGLE: JANE TRIES ON THE THE LATEST LONDON FASHIONS
JANE AND HER FORBIDDEN ZONE
THE DRAGON LADY ONE OF MY FIRST LOVES
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If you discount a long standing infatuation with another woman from Asia, the fictional Dragon Lady in Terry and the Pirates, so exquisitely depicted above, the third of my early infatuation occurrences transpired when my uncle and I were on a road trip through the desert southwest, and as previously I was still a young boy. During the trip it came about that my uncle had a few things to take care of that involved some Native American tribal spiritual elders. In the process of those dealings he left me with a bunch of kids, and of which I then ended up riding in the back of a pick-up truck with.
On our way to meet the tribal spiritual elders we were flagged over by a man of Native American descent standing on the opposite side of the highway beside a pick-up truck. The man crossed the road on foot to our side while my uncle told me to join the others with his truck. A young teenage girl, probably no more than age 14 with long black hair flowing behind her, ran part way across the road and grabbed my hand as the other truck just barely began to move forward in a U-turn. Following her lead I jumped onto the tailgate and crawled into bed of the pick up, of which already had a number kids in it. The following is how I describe it at the source so cited:
"After the young teenage girl reached her hand out to me as I was crossing the road and pulled me into the back of the truck she brought the tailgate up and hooked a partially hose-covered chain into a couple of holes to hold it closed on her side. When I attempted to do the same on my side, the bouncing of the truck made it difficult for me to accomplish the task. She moved over and placed her hands on mine guiding the hook into the latches. In the process, as if touching my my hands was not enough, her face came so close to mine we nearly touched. I had never come so close to a girl's face before. I think if I would have blinked, my eyelashes would have brushed across her cheekbones. She scooted back to her side and sat leaning against the truck bed wall directly across from me pulling her knees up under her chin and crossing her arms around them with her hands on each of her elbows. She wore a long skirt, mid-calf in length or ending just above her ankles. The way she was sitting the skirt rose up from the truck bed and across her knees in a U shape turning back down toward the bed returning underneath her. In doing so her legs, held closely together from her barefeet on up, were completely exposed. When the truck stopped she turned to reach her arm over the railing of the truck bed and moved her feet apart to stand up. I clearly saw she had no underpants on and everything else about her. I fell in love that day for the first time."
(source)
It was not long after the above occurrence involving a real life young Native American girl that the fictional character of Firehair came into my life. I was in the fifth grade or so and living on a ranch in the Mojave Desert owned by my stepmother. Down the road on the next closest ranch lived a much older boy than me who had five sisters, two of which were right around my same age. The boy collected every cowboy-western comic book he could get his hands on and had hundreds of them neatly stacked in brand new turned-up orange crates made into shelves in his room, each book in pristine condition and always kept in order by title and chronological by month, date, and number. I used to go to his place whenever I got a chance to check out his sisters in various stages of dress and sit around all day reading comics, of which among his collections were all the issues that Firehair had appeared in up to that time.(see)
Reading comic books that carried within their contents stories that were mostly well written with favorable impressions of Native Americans such as found in Firehair, the Flying Frontiersman, and especially so Tommy Tomahawk, a college educated Native American said to be a member of the Cherokee Tribe that led a squadron of U.S. Army Air Corps P-40s marked the same as the Flying Tigers against the Japanese in the South Pacific, wasn't my only introduction to and knowledge of Native Americans.
By the time the incident with the young Native American girl and myself transpired, although I was originally from a small Southern California beach community with probably zero Indians, I was an old hand knowing and being around Native Americans on a mutual interactive level. World War II had hardly been over by a year, with me still well under ten years old, that I started traveling around the desert southwest with my Uncle and began interacting with Native Americans. It was during those same early travels, after having visited several of the seven pueblos that made up the Seven Cities of Cibola, that I learned of first hand and actually met Navajo Code Talkers.
Little did I know that those easy going comic book reading days were numbered, ending with my stepmother's ranch being sold, my dad and stepmother going to Mexico and South America for a two year stretch and me once again being thrown into or under the auspices of another foster couple. It was during that time my next infatuation happened as found in the quote below from the source so cited:
"When I was in the 7th and 8th grade the school I attended was a combination junior-senior high, meaning the 7th grade ran straight through to the 12th grade at the same school. The junior high classes operated the same as the high school classes, that is different classes and teachers at different periods with some levels and teachers overlapping. I developed a really strong crush on a girl by the name of Barbara Allen. We walked together between classes. I carried her books. We sat in the quad and talked. The only thing was she was going with and was the girlfriend of guy in the 11th or 12th grade, a guy who went by the nickname 'Blackie.' He pulled me aside one day throwing me up against the wall and making it clear Betty was HIS girl and to stay away from her. I learned quickly never to have designs on the girlfriend of a guy who had a nickname, especially if it was something like 'Blackie.'"
Bracketed around or near the same time frame as my 7th and 8th grade my dad and stepmother divorced, my uncle went back to his old stomping grounds in the Santa Fe, Taos, New Mexico area, and, after running away from the foster couple more than once, I ended up living with my grandmother in a southern California beach community just in time to start high school. However, even though my dad and stepmother were divorced I still spent the summers while I was in high school on a new ranch my she bought after the divorce. During the summer on the ranch between my junior and senior year I write of the following, which would in the scheme of things fall somewhere into my fifth infatuation occurrence and found at the source so cited:
"There was as well a young girl that joined me on the ranch that summer, a year younger or so than me and the daughter of a woman my stepmother hired to entertain nightly in the bar. The two were there about eight of the twelve weeks that summer with the woman billing herself as Irene at the Organ. In that the girl's mother worked late into the night every night and slept most of the day, she left the girl just as unattended around the clock as me. In the process the two of us became nearly inseparable. Sort of cowgirl-like, looking all the same as Woody's friend Jessie in the animated Toy Story films, she had a haircut like a boy, dressed like a boy, and built like a boy, except for some noticeable differences that became quite evident between the two of us as the summer wore on."
As a ranch it was a little on the sparse side in what I would call standard ranch fare --- it had been completely rebuilt and refurbished from a run down onetime dude ranch, with a brand new rather long fully stocked bar, food service facilities, swimming pool, dance hall, live entertainment, along with rodeos and boxing matches on the weekends. It also had at least two dozen one-armed-bandit slot machines in a secret hidden room, plus like I like to say, a flock of ever present Hostesses --- several of whom took me under their wing and one or two that may have been slightly more friendly than they should have been considering my young age, the youngest at the time at the very least being six years older than me.
One of the summers on the ranch in my spare time, usually late at night, I built a Heathkit shortwave radio that actually worked when I was done. When I say I built it, I did have some on and off help on occasion. From time to time a certain particular hostess would drop by while I was working on the set and assist --- although I must say she spent more time exposing her rather bountiful cleavage and the rest of her breasts than soldering wires.
During that same summer on the ranch I was building the Heathkit shortwave radio my stepmother and I also flew to Searchlight, Nevada, doing so in a twin engine Beechcraft Queen Air, and of which both the plane and pilot provided us by the famed aviatrix and stunt pilot Pancho Barnes. My stepmother was on some kind of a business trip, at least that was how she referred the excursion to me. What the manner of her business was I'm not sure, however she met with a man named Willie Martello the owner of a casino in Searchlight called the El Rey Club. Since Pancho provided our air transportation I figured she must have been involved in some fashion. Pancho Barnes or not I know hostesses were.
While I was waiting for my stepmother and Martello to finish their discussions I was waiting in the cafe portion on the casino. While sitting there a really sharp looking dish of a babe 25 years old or so, maybe a little older, hard to judge the teenager I was then, but loving the cleavage all over, stepped up to the table and without even saying a word pulled out a chair and sat down. She lit a cigarette turning her head upwards and in profile blowing the smoke toward the ceiling then turned towards me jerking her head almost like a mechanical robot or the bride of Frankenstein, asked how it was I knew the woman I came in with. When I told her she was my stepmother she seemed surprised, blurting out a loud laugh with overtones of being almost startled than anything, saying in a mockingly-sad way, "You poor boy."
She knew my stepmother alright, plus we even had a couple of a mutual acquaintances, Brenda Allen, saying she had worked for her at one time, and Pauline Page, who used to work for Fifie Malouf. During our conversation the following happened:
"(When my stepmother) saw me chit-chatting with the lady she didn't seem very happy, asking the woman just what exactly the two of us were talking about and why. With that the woman, the two of them seemingly knowing each other in an adversarial fashion, got up and said, 'Fuck you Queenie, you don't mean shit around here!' while at the same time throwing the contents of a half empty glass of ice water in her direction, albeit totally missing. When it appeared the woman was about to lunge toward my stepmother following the water mishap, Martello, seeing my stepmother was pulling a nickel plated .25 semi-automatic Baby Browning out of her purse and with me ducking for cover, maintained the distance between the two by slightly nudging my stepmother around before she got close enough for contact, saying he would take care of it. With that, Martello hustled us both out of the club. He had a driver take the two of us and our pilot, who had been playing blackjack in the casino, back to the airport about two miles south of town. Waiting on the tarmac was the twin engine Beechcraft Queen Air we flew up in. However, instead of leaving like I thought we would, we just waited."
THE EL REY CLUB: RESORT, CASINO, BROTHEL
The next time I bring up anyone specifically, at least chronologically, happened a little less than two years later as found in Buddhism In America Before Columbus wherein for the first time I make mention of a person I call my high school girlfriend:
"At the high school I attended the graduating class had what they called 'Senior Ditch Day,' wherein a regular school day was officially set aside to ditch and go somewhere as a class en mass. My senior year the class selected Catalina Island as our destination. During that high school excursion I participated in all the usual tourist stuff with my girlfriend and buddies: go on the inland motor tour, ride the glass bottom boat, hang out at the beach."
She shows up again in the following quote at the source so cited:
"For one of my high school art classes, which was about the only classes I took in those days, I had to design an album cover, so I chose Howard Rumsey. At the time, the girl I was mostly inseparable from, a fellow artist and, although from a staid family, leaning toward a quasi-bohemian lifestyle as soon as she left her house, selected for her album cover Rimsky-Korsakov's Scheherazade. I can still remember to this day how little I knew about anything in those days. Here she was, someone I thought as a contemporary and she knew about Scheherazade and stuff like that and I had never heard of it."
The same girlfriend shows up when I present a whole ream of information regarding several of my high school "chums" in Tike Karavas of whom of which I went to high school with too. She shows up post high school in several places as well, invariably connected with an all summer long trip a buddy and I made to Mexico --- almost always repeating the same line in some form or another, typically reading thus:
"(T)he draft was still looming over my head and the fact my longterm semi-on-and-off high school and after girlfriend --- who had gone off to college while I remained home being nothing but a dunce working stiff --- hit me with the fact she had met and fallen in love with some hunkering down stud and they were planning on getting married didn't help. When my buddy, who was in much the same boat I was, suggested an extended, open-ended trip to Mexico I decided to take a leave of absence from my job on the boat and go for it."
If you go back a couple of paragraphs to where I'm talking about the daughter of Irene at the Organ during the summer between my sophomore and junior year on the ranch, you will find that in theory, although I was gone for the summer, in essence I was, or still would be, "going with" my high school girlfriend, even though during that summer Irene's daughter and I were spending an awful lot of time boy-girl wise discovering some noticeable differences that became quite evident between the two of us as the summer wore on. Even though my girlfriend and I were close for the last two years of high school we were just getting to know each other prior to that so she never learned from me nor did I ever tell her about the girl on the ranch. As it was, even after two years my high school girlfriend and I never did really reach a point where the two of us were truly discovering noticeable differences at a similar level as Irene's daughter and myself, at least over any protracted period of time --- and probably why the hunkering down stud at college made so more headway than me. C'est la vie.
The next summer, the one between my junior and senior years, for reasons unknown to me, my stepmother didn't rehire Irene at the Organ as a nightly entertainer, so there was neither Irene nor her daughter at the ranch, which meant a similar problem as the summer before didn't present itself relative to my high school girlfriend and me --- except maybe for one slight happenstance.
In The Code Maker, The Zen Maker I tell how right after school was out for the summer (the summer at the finish of the 8th grade that ran through to the start of the 9th grade) I ran away from the foster couple I was living with in an attempt to find my stepmother. In the process I met a cowboy outside of a small desert town roadside cafe who said he was sure he would be able to locate my stepmother. However, before we ever got close everything went awry, starting with the following below and ending with the crash of his truck with me in it:
"He told me he had to deliver the horses by sunrise the next morning to a place way out in the desert north of Adelanto near where Highway 395 and the 58 cross, but after that he could take me to Pancho's which was basically due west across the desert from there. With that I helped him get the horses out of the trailer and walk them around a little and give them fresh water. After loading them back up he got gas, a six pack of beer or two and about dusk we took off heading east across the desert all the while him continuing to swig beer. After stopping at a couple of bars looking for a certain woman he was hoping to hook up with as well as imbibing even more drinks and staying an hour or more at each joint, I finally laid out across the seat of the cab while parked outside one of the bars, and under the continuous on-and-off flashing glow of a Lucky Lager neon sign, fell asleep."
I go on to write that the cowboy, apparently finding the woman he was looking for, or at least some woman, shook me awake and told me to get out of the truck he needed the seat. He and a woman crawled into the cab on the shotgun side with him positioning himself on top as best he could while she pulled up her dress and knees, going at it for about 20 minutes. When they were done she got out, gave me a little smile and a light touch on the nose while she straightened out her hair and dress. In an almost ballerina-like move with a similar grace, with one hand she held her dress out to the side and gave me a slight curtsy followed by a bow. The cowboy started the truck and without a word between the two of them off we went leaving the woman standing in the closed bar parking lot all alone in the dark.
Two summers later, the one after Irene's daughter was there, again, which was the summer between my junior and senior year in high school, I was once again back on the ranch. So was the usual cast of characters who had been there all along, including the usual bevy of hostesses. A six or seven piece western band played in the dancehall almost every Saturday night and usually I would go by and hang out most of the night just to listen to them and for something to do. The next morning, as I had during the previous summer, and was considered part of my keep according to my stepmother, usually found me helping the swamper that cleaned up the place following the Saturday night bashes. Typically I would gather up and rinse tons of old beer bottles (usually stuffed with cigarette butts put out in stale beer) and put them back in their cases, empty and wash ashtrays, wipe down tables and chairs, hoe out the restrooms and barf and sweep the dance hall floor and stage with oiled sawdust.
One morning, three or four weeks into me being there for the summer, in the process of making room for more cases of empty beer bottles in the storage area (in those days there was a deposit on the bottles) by switching out full cases with the empty bottles, putting the full ones in a refrigerated area, I came across a sort of bedraggled young woman unconscious on the floor of the storage room, almost hidden away in a darkened far corner. The swamper and I were able to get her to one of the tables in the dancehall, then tried giving her hot coffee, but all to no avail. She had no purse or identification and in a moment of being quasi-lucid she tried to identify herself as being one of the hostesses, although it was clear to both the swamper and me, in that between the two of us we knew all the hostesses, that she wasn't one, at least not one of ours. Not wanting to disturb the "real" hostesses we waited until around noon to see if any of them knew who she was. In the meantime the woman put her head down on her arms on the table and continued to, if not sleep, at least sleep it off.
My stepmother came along and told us to give her a good breakfast and have one of the "girls" clean her up, give her a shower, and find her some half way decent clothes. The next time I saw her I saw an absolutely stunning young woman, maybe 25 or so at the most. I told her I was the one that "found" her and I could tell she rebuffed me, not making eye contact and turning away. In that I found her passed out laying in her own barf on a cold concrete floor I was wondering who she thought she was if she was thinking I was no more than some lowly clean-up guy or stable hand with horseshit on his boots that she didn't have to answer to. All of that should have changed quickly when my stepmother returned to the scene. She made it clear in her actions that I might have a slightly higher status. Even so, I continued to be the invisible man. My stepmother learned she was a local, living on the opposite side of town from the ranch, the town being to us, although it was quite some distance away, Lancaster, and that she came the night before with some guy. What happened to him or how she ended up unconscious in the storage room she didn't know. My stepmother, making sure she was OK and unhurt in any fashion for any reason told the woman she would have her driven back to town, but would appreciate it if she not come back.
We walked toward the outside of the dancehall where the car was waiting. My stepmother opened the door for her to get in, but just as she was the woman stopped and turned toward me, gave me a little smile and a light touch on the nose. Then in an almost ballerina-like move with a similar grace, with one hand she held her dress out to the side and gave me a slight curtsy followed by a bow, getting into the car. Then it struck me, she was the exact same girl with the cowboy that night he woke me to get out of the seat. She must have rebuffed me because of being embarrassed since I had seen her so close up for so many minutes in such a compromising position.
My stepmother closed the door and the car drove off. Because nothing ever escaped my stepmother, observing the woman's actions, the touch of my nose and all, my stepmother questioned me if there was someway or somehow that I come into contact with the woman previously, that is, did I know her. I told my stepmother how, and she told me to stay away from her, she was bad news, and besides, I was underage. I didn't, discovering over the summer several times why the cowboy felt she was worth searching for. After the end of the respective summers by the way, I never saw, came in contact with, or heard from either the woman or Irene at the Organ's daughter ever again.
A BOY AND HIS JEEP: ADVENTURES IN THE DESERT
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Other than what I have presented above regarding my high school girlfriend, her existence in my life during those years didn't really provide any long term impact like say for example changing the flow of history, except for perhaps one could argue, keeping me out of circulation and having or not having babies. However, one high school acquaintance of the female variety that I knew more-or-less on a peripheral basis, she being way out of my league, but super-nice nonetheless, who I call "The Lady on the Dock" did have a major impact in later years shifting the flow of things. See:
THE LADY ON THE DOCK
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POST HIGH SCHOOL, POST ARMY
"For a vast number of young men growing up around the same time I did, after reaching a certain age, they were uprooted from whatever they were doing by the then in place friendly Selective Service System, otherwise known as the draft, and plunked down into the military. And so it was for me. Following a crowded ruckus-filled overnight 400 mile train ride from the induction center in Los Angeles to Fort Ord I, along with several hundred other potential GIs, at 4:00 AM in the morning, was herded into one of a whole line of cattle trucks and taken to what they called the Reception Company Area. Then, after being issued two pairs of too large boots along with several sets of too large olive drab shirts and pants, and having the good fortune of completing eight weeks of basic without incident I was sent to Fort Gordon, Georgia to attend the U.S. Army Signal Corps School for what they called Advanced Individual Training, or AIT."
IN AS A BOY, OUT AS A MAN: The Draft, Active Duty, Active Reserve
The last few times chronologically pretty much ends it. The first, although it was many years after Olga Greenlaw was in the picture, I was visiting my stepmother having taken a girl there for her to meet. In a few line mention of the girl, whoever she was, in the annals of history she disappeared and never heard from again:
"The next time I caught up with my stepmother I brought a girl-come-woman with me who at the time we were very serious together, even talking rings and wedding dates. I figured if my stepmother didn't scare the crap out of her she must OK. All that worked out, it's just we didn't. However, when the two of us were leaving that day my stepmother pulled me aside and out of earshot whispered, 'She looks a lot like Olga, you know.'"
(see)
Around the same time the above was going down, after coming home from the military and seriously returning to study-practice, my Mentor sent me to South Kent, Connecticut and the compound of Alfred Pulyan, a man of great spiritual prowess. When people who know of Pulyan they invariably refer to him as an American Zen Master without the Zen nor the Buddhism, yet Enlightened in the Finality of the Absolute in the same tradition as in the spiritual Awakenings attributed to the ancient classical masters.
My mentor appreciating Pulyan's method, which fell somewhere halfway between what he had been attempting to impart to me and the full-on staid precepts of Zen, always thought his methods might initiate for me, a breakthrough. However, just after I returned from the Army and sought out my mentor, and before going to see Pulyan was even remotely in the cards, he really didn't want anything to do with me, saying the military "had brought out the beast in me." He mellowed over time, especially so after he reneged enough to allow me to introduce him to a gorgeous raven-haired beauty I had met in college. She had just turned 21 by a few months when we met and I was a little beyond my mid 20s although well shy of 30. He liked her immediately and thinking of the Samsara world that a woman of such enormous beauty could see something in me, I might still after all, have some inkling of redemption left, he thought of Pulyan.
One of the people in the compound was Pulyan's Teacher, a woman who should have been roughly age 60, but not looking a day over 30. She was the person responsible for Pulyan's transformation, and it was she I spent most of my time with. Prior to Pulyan's Awakening he was an unknowing seeker along an unknown path, investigating any and all routes for a solution to his angst, real or imagined. One day in the process of those investigations, he was exploring what he had heard was a new or unique approach to psychotherapy when he came across a young woman that was somehow different from all other people he had ever met. In an intellectual joust on his part he confronted her with all his knowledge of science, philosophers and the like. Like an expert swordsman or kung-fu master she blocked and parried each blow, leaving herself unscathed and himself defeated. Although she claimed no teacher or any lineage it was apparent her Attainment was deep and to reach the same level of Attainment he decided to dedicate any further seeking to be guided under her auspices --- a decision that ended up leading toward her becoming Pulyan's teacher and his Final Fulfillment.(see)
ENTERS THE MOST BEAUTIFUL WOMAN IN THE WORLD
NO, SHE'S NOT THE FEMBOT FROM THE 1927 MOVIE METROPOLIS
In the previous mentioning of the El Rey Club above, I was talking about the first time I was there, and barely even a teenager at that. The last time I was at the El Rey Club was actually about ten years later, the year before I was drafted. I remember it specifically. It was May 1st 1961. I had spent the weekend of April 29-30, in Las Vegas and when the weekend was over, instead of driving straight back to Southern California I circled around to Hoover Dam then down to Searchlight thinking I might take in a little gambling and maybe even partake in a few extra curricular activities on the side.
When I was in Vegas for the weekend I visited a friend of my stepmother's named Johnny Roselli, a high ranking member of the mob who, through my stepmother, I had known personally since before I was 10 years old. While at the El Rey, in a similar or like fashion, as a courtesy call, I met with the club's owner Willie Martello as well. No sooner had Martello left than a man associated with Roselli stepped up out of the crowded casino wanting to know the nature of my business with Martello. In that it was innocent enough it was soon all easily resolved. However, when I was leaving the same man blocked my car by pulling directly behind me as I was backing out, all the while waving something in the air and yelling that he had something for me. When I got out to see what all the fuss was about he handed me an already opened envelope addressed to Roselli. Inside was an 8X11 white sheet of paper that had only a small few line typed note in the center asking Roselli if he knew how to contact me and a business card of a L.A. lawyer that had "Call me. Brenda" written on the back. In a pure coincidence, turn of fate or maybe even karma, I just happened to be in Vegas the same time he got the note. Roselli sent his gorilla to stop me, not catching me until reaching the El Rey Club. My meeting with Martello at first took precedence over the note.
The Brenda on the back of the business card referred to Brenda Allen, mentioned previously above, a long time old friend of my stepmother. She had been in Los Angeles for sometime dealing with some proceedings related to her divorce and wanted to meet with me for reasons undisclosed. I had met with her a year or so before in Long Beach and she requested we meet at a certain time and date outside her old place on East Ocean Avenue. When the time came I was there, but she wasn't. I gave her a couple of hours, then, since I was on Ocean Avenue I thought I would go down to the Long Beach Museum of Art for a while then come back and see if she showed up. In the end she never did, nor did I ever see or hear from her again.
In the meantime, as I was walking around the gallery in the museum --- and totally unprepared for such an event --- I saw a woman that up to that point in time I think was absolutely the most beautiful woman I had ever personally seen in my life. Unwittingly staring at her almost as though I was frozen in a trance, she turned from the exhibit painting on the wall toward my direction and when she did the two of us made eye contact. The exact moment our gaze connected it was a though my life force had been sucked out of me, my knees even buckling from the weight of me standing. Having lost a total sense of dignity and somehow feeling a need for air I immediately went outside, crossing the short distance across a park adjacent to the museum overlooking the ocean. Within minutes if not seconds, for reasons I am yet to fathom to this day, the woman was suddenly standing next to me saying something like, "Didn't you like the exhibit, you left so abruptly." I don't recall what my answer was or how one thing led to the next, but soon the two of us were agreeing to have lunch together, although instead I ate breakfast, at a little restaurant she knew just a couple of blocks away called The Park Pantry.
During small talk while eating I told her I was at the museum because I was supposed to meet a friend of my stepmother's who was going through a divorce, only she never showed. The woman told me after nearly ten years of marriage she herself was going through a divorce and only recently separated. From that, in a quick finger counting mathematical sequence I figured she would have to be 26 or 27 or maybe 28, making her at least four years older than me, although to look at her I would never have guessed it. She told me she was born in Los Angeles but grew up in Long Beach and graduated from high school in Long Beach practically the same time she got married and, even though she was in the process of divorcing she had children, including one only eight months old. Seeing I didn't flinch at the thought of kids or an infant, she continued. She was separated from her husband and although it was atypical for her to be in the area generally, on that particular day she was or had been visiting family and friends and was in the process of revisiting old haunts in Long Beach in a nostalgic sort of way. She said she may have been to the museum before, although she couldn't remember a specific instance, but in that she always liked the building and location she stopped in for no other reason except to do so, then she saw me. She said when I left so abruptly she was overwhelmed with the strangest inner feeling, as though she had found something valuable I had lost and she had to return it --- yet she had nothing except for that strange feeling that felt so real.
She was unlike anybody I had ever met, most certainly not like anything that inhabited the two South Bay coffee houses, the Iconoclast or the Insomniac, and totally unlike any of the other females and flight attendants hanging around the infamous Flying Jib in Redondo at the time. I was in heaven.
The rest of the year slipped by, and possibly because of that strange feeling that felt so real and the strength of it's strangeness, we were able to override any number or mitigating factors, to such a point we saw each other as much as possible. Then, sometime around the middle of the following year I received a confirmation letter from the Selective Service informing me I would be inducted two or three months before the end of the calendar year and would have to report on a given date at a given time and place. The second I showed her the letter, except for one rare occasion, reality hit and I never saw her again. Less than three weeks before I was inducted she met some rich-ass USC dude who in the following year while I was still in the army, having barely a year of service behind me and being nothing but a lowly PFC, she married --- a play on the old gone off to college (him) while I remained nothing but a dunce working stiff (in the Army) trick.
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THE BUTTERFLY EFFECT PERSONIFIED
When people see photographs of the person I met in the museum, especially the photograph above, people that know the gorgeous raven-haired beauty I met in college and took to see my mentor, swear she is the exact same person. Although she is a near exact duplicate, I can assure you such was not the case, any doppelganger aspects being pure coincidence. As it was I didn't start college until after the Army. As found a few paragraphs back, speaking about my mentor after my discharge from the military:
"(He) really didn't want anything to do with me, saying the military 'had brought out the beast in me.' He mellowed over time, especially so after he reneged enough to allow me to introduce him to a gorgeous raven-haired beauty I had met in college. She had just turned 21 by a few months when we met and I was a little beyond my mid 20s although well shy of 30. He liked her immediately and thinking of the Samsara world that a woman of such enormous beauty could see something in me, I might still have after all, some inkling of redemption left."
(see)
The purposely left unnamed fellow-student I met in college that I give title to as being a gorgeous raven-haired beauty, a direct quote I use from a friend of mine used to describe her, had only turned age 21 by two months when we first crossed paths, she having just finished community college after earning an AA degree at the end of the fall semester. She had applied to Otis Art Institute and Chouinard's, now known as California Institute of the Arts, and been accepted by both, planning to start one or the other in the upcoming fall semester. Because of having met me, at the end of summer and before school started she appeared in a brief dancing scene in one of the beach party movies, most specifically the last in the series called The Ghost In the Invisible Bikini..
THE GHOST IN INVISIBLE BIKINI WITH NANCY SINATRA
BY POOL AND RAVEN HAIRED BEAUTY IN BLUE JEANS
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To this day, except for the above so mentioned raven-haired beauty and not counting of course, Hope Savage, who falls into a can't be ranked independently special category all her own and possibly the female pharmacist at the since closed Laguna Drugs in Laguna Beach, California, Doris by name who looks at you over the top of her glasses low on her nose through the height of her pharmacy window --- the museum lady, albeit having since those heady 1960's days become a little wobbly in stature, still stands as absolutely the most beautiful woman I have ever personally met in my life. Well, maybe second, or maybe --- naw, I can't do that to her, but who's counting anyway? It all stems from a young man's past perceptions from a bygone day. Although I have to admit, when that which is, got around to entering into the early 1980's, a person I met in 1964, Madame Nguyen Cao Ky, arguably found floating precariously close to the top spot.
MADAME NGUYEN CAO KY
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Regarding the two South Bay coffee houses and the Flying Jib. I started hanging out at the Iconoclast Coffee House located just a few steps east up the hill from El Paseo and the Horseshoe Pier on Wall Street in Redondo Beach and/or the Insomniac on Pier Avenue just across the street from Howard Rumsey's Lighthouse in Hermosa Beach hoping to be or at least think I was "cool" and possibly even absorb or learn some of the movement trends, the movement being the Beat Generation with Allen Ginsberg reading "Howl" at the Insomniac. The best part for me though, was taking home to my place an extraordinarily fabulously beautiful young redhead, an Iconoclast regular, regularly. Or at least once in a while, or on occasion. Or maybe just once or twice, by the name of Jolene. Unfortunately Jolene loved speed and sadly, dead from Bennies before having even reached the end of the 1960s.
BUT, WHAT IF, AS ASKED ABOVE, IT HAD BEEN THE FEMBOT?
BE CAREFUL WHAT YOU WISH FOR(please click image)
A man claiming to having known me in the past, or at least coming in contact with me on more than one occasion at one time or the other, and, after reading any number of my works online, including these included here in Firehair wherein I recount a number of early infatuation experiences, asked why I have left out a certain high-profile person he saw me in the company of a number of times in later years, namely in the early to mid 1980s --- mentioning her by name. The her he spoke of was one Phyllis Davis, of which I write the following in the opening paragraph on her page so linked below:
"Phyllis Davis was an actress of extraordinary beauty and true natural talent, who, without the need to ever break through into the A-list category so clamored for by the entertainment media and it's toady sycophants, had, through her own subtle wiles and abilities, developed a unique set of ties and connections with Las Vegas, the Hollywood TV and movie industry, and some say even the mob."
Along the way Davis, at one point in her life, had also developed a semi-interest in Mediums, the psychic-world and psychics, especially so one Char Margolis. Although not straight-line directly related, Davis had also became enamored, at least short term or on-the-side with what she had heard regarding the possibilities innate to the supernormal perceptual states known in Sanskrit as Siddhis. In the process she was directed toward me.
PHYLLIS DAVIS CIRCA 1980
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The man claiming to having known me in the past was right on. So, what happened? If you have ever read anything I have written about a woman a few paragraphs back named Brenda Allen you would have run into the fact that just before high school I had a crush on a certain young blonde named Betty Allen that was at the time the girlfriend of a guy in the 11th or 12th grade nicknamed "Blackie." I mention he and his buddies pulled me aside one day and threw me up against the wall making it clear that the girl was HIS girl and to stay away from her. I also said I learned really fast never to have designs on the girlfriend of a guy who had a nickname, especially so if it was something like "Blackie."
The Siddhi enamored lady of later years became un-enamored with Siddhis quickly, or at least after a short passage of time, apparently because forthcoming results were not quick enough along with the difficulties in mastering them, the regimen, etc., and moved on. About that same time, with me remaining around peripherally because of a personal request to do so, I was yanked off the street one day by a couple of heavyweight growlers almost in the same way as the aforementioned Blackie had done with me in my youth, and told, "Rosselli's dead you monk-ass prick, you got no protection so bug off."
"According to the Buddha and how the sutras are said to present it, to manifest or execute the abilities of Siddhis, a stringent regimen of meditation and concentration MUST meet certain levels of accomplishments. To reach such a level the meditator must be perfect in the precepts (Sila), bring his thoughts to a state of quiescence (Samadhi), practice diligently the trances (Jhana), attain to insight (Prajna) and be frequenter to lonely places."
Phyllis Davis, in an honest assessment of herself, unlike most, must have questioned if she could meet such criteria, that is, being masterful in Sila, Samadhi, Jhana, and Prajna and be frequenter to lonely places, and for her to do just that, that is, become a frequenter to lonely places, she and I ended up in the jungles of Thailand together.
For those who may be so interested, the gorgeous raven-haired beauty I met in college and introduced to my mentor passed away in 2017. The most beautiful woman in the world passed away in May of 2021.
PHYLLIS DAVIS
THE COLLEGE YEARS
JOHNNY ROSELLI: MAFIOSO
JACK NEWKIRK OF THE FLYING TIGERS
THE BLACK CONDOR: THE MAN WHO WAS ABLE TO FLY LIKE A BIRD
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THE BEST OF
CARLOS CASTANEDA
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LOUIS L'AMOUR: STAGE WEST
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BEACH BLANKET BINGO GIRL ATTEMPTS TO FLY
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HOW HE BECAME A MOUNTIE
CLICK
HERE FOR
ENLIGHTENMENT
ON THE RAZOR'S
EDGE
THE WANDERLING
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THE WANDERLING: TAKING HIM WITH A GRAIN OF SALT
As to the subject of donations, for those of you who may be interested in doing so as it applies to the gratefulness of my works, I invariably suggest any funds be directed toward THE WOUNDED WARRIOR PROJECT and/or THE AMERICAN RED CROSS.
AN OEDIPUS COMPLEX OR JUST A COMIC BOOK?
In the paragraph this footnote is cited from, in drawing a conclusion between Firehair and my mother, I write that both my mother and her sister had beautiful long red hair and were so close together in age, as well as looking so much alike almost everybody mistook them for twins.
Initially, as a young boy, because of their red hair and the high esteem I held both of them in, I always carried a certain high affinity towards Firehair's character. I go on to say I have repeated the same or similar like statements in a number of places scattered throughout the web, almost always in conjunction to Firehair. For those who may be so interested, below are six of the most notable examples:
SEE ALSO:
CAPT. PAT PARKER, WWII WAR NURSE, GIRL COMMANDO
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The paragraph so referenced is a kind of modification of the following quote below that can be found on any number of my pages located here and there around the web. The original paragraph showed up first and foremost in the Roy Rogers and Andy Devine page linked below, most likely derived in some fashion from my so-called Profile page, also linked. On the list are all kinds of cowboys, superheroes, etc., et al, in one form or the other, that have had some sort of a connection or impact in my life, be it major or minor, positive or negative. Good hunting:
"Like so many young boys growing up during my era I loved cowboy-western movies and the actors that showed up in them. As well, right up there with westerns were Johnny Weissmuller Tarzan movies, especially Tarzan and the Huntress, Warner Brothers cartoons, Leonardo Da Vinci, astronomy, the cosmos, rockets to the Moon and Mars, Buck Rogers and Flash Gordon, along with a myriad superheroes, especially the 'mortal' type such as the Spirit and Captain Midnight. But still it remained, the cowboy western movie stars and heroes such as the Durango Kid, Lash LaRue, Gene Autry, and Roy Rogers, their horses Champion and Trigger, and their sidekicks Smiley Burnette, Gabby Hayes, and Andy Devine were the ones that in the end interacted in my life in real life."
OF COURSE, THERE WAS ALWAYS DALE EVANS, QUEEN OF THE WEST
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FLYING CAPTAIN MARVEL
ZEN AND THE ART OF FLYING MEN
What happened to me immediately after I ran away from the foster couple is pretty much summed up in the paragraph in quotes below from the source so cited. Basically, without anyone's knowledge, I took a Greyhound bus north to the Mojave Desert searching down and eventually locating my then just divorced-from-my-father stepmother, or ex-stepmother as the case may have been, at her newly acquired ranch in the Mojave following her return from a two year sojourn to Mexico and South America:
"Although impressed that I ran away just to be with her she thought it best to get in touch with my dad and see what she should do next. Unwilling to talk with my grandmother she called the woman of the foster couple I ran away from, who she knew and was friends with, hoping to find out if I should be returned to them or to locate my father, telling the woman that I was in good care and everything was OK. The woman of the couple, Aunt Pauline, told my stepmother to 'keep the fucking little asshole, I don't give a shit what happens to him.' Then she added, 'Don't forget his prick of a little brother, either.' My stepmother, taking into consideration there were no subtle or hidden messages in her response, being quite clear as well as taking her at her word, contacted my uncle to see if he had any idea where my dad was. He didn't, but told my stepmother if she could find no other solution and she could get me to Santa Fe he would deal with situation until everything could be hammered out. With that, having no success locating my dad for whatever reason, rather than sticking me on some grungy multi-day cross desert bus ride to my uncle's and not knowing for sure if I wouldn't just get off somewhere on the way, she arranged for the same former World War II P-47 pilot that flew my uncle and me to Sacramento a few years before to fly me to Santa Fe, ensuring, she hoped, I would be less likely to get out mid-trip."
(source)
To pick me up my stepmother had the pilot fly into a nearby, albeit long abandoned tumbleweed infested and rock strewn one time military airfield out in the middle of nowhere called Victory Field. The plane was a pilot in front, passenger in back two seater World War II trainer called a North American AT-6. It was the first time I had ever been off the ground and into the air in any kind of a World War II aircraft, so for me the trip to my uncle's was not only highly memorable, it was also as well, white-knuckle exciting.
As for the pilot, who had flown my uncle and me to Sacramento and then just me to be with my uncle in Santa Fe a few years later, he basically came into the picture when my just into his teens older brother and cousin hopped a freight train on the Southern Pacific mainline near our ranch and didn't get off until reaching the Sacramento yards some 500 miles north and getting caught in the grasp of a railroad bull that was going to beat them with a club. The pilot flew my uncle and I to Sacramento so my uncle could pay off the railroad bull and get my brother and cousin back. On our return trip we flew over the Sierras to an abandoned, remote rock strewn airstrip south of Reno in the middle of the night to pick up a mysterious no questions to be asked woman covered head to toe wearing dark glasses and fly her to Las Vegas --- a woman that turned out to be an incognito movie star thought to be June Lang. The whole story can be found in:
RIDING THE CAB FORWARDS
SANTA FE LOCOMOTIVE #3774
The money I earned working at the Normandie Club did a lot more than just pay for the bus ticket to my stepmother's. When my uncle was overseeing me we used to go down to the giant Palley's Surplus Store off Alameda Street and Vernon in Los Angeles, often with my brothers going along, For us the place was like Disneyland, sometimes we would spend the whole day there because the place had everything --- big things like half tracks and bomber machinegun turrets to little things like GI issued lensatic compasses and packets of fluorescent green sea dye markers. My brothers and I, in what was one of the few things we ever did together, were always cooking up some kind of an excuse go there with me always returning with a ton of World War II army surplus stuff --- canteens, pistol belts, parkas, infantry backpacks, army M43 folding shovels, and two of my very favorites, an Army Signal Corps J-38 Handkey with a leg-band for sending Morse code and an ESM/1 Emergency Signaling Mirror.
When my dad and stepmother went to South America for a couple of years and our de facto family broke up, with my uncle going back to Santa Fe and my younger brother and I going to the foster couple, most of my army gear got lost in the shuffle --- and going to Palley's, for the couple, at least as far as me and my little brother was concerned, was out of the picture.
The thing is, at the time I was a kid and I did kid things. In a number of places in my works on the internet I write that as a kid it seemed like a large portion of almost everything I learned came from reading comic books. Below is an ad from a comic book that just happened to start showing up for the first time around August 1949, just at the exact time my family was breaking up or on the verge of breaking up. On top of that, with the prospect of me not having the unfettered cash resources that had been provided me so freely in the past, my stepmother arranged for me to get a job so I could pick up some extra money. With that money and the comic book ads like the one below I was never without all the Army surplus stuff I wanted.
Anybody who is familiar with or has read any amount of my online works knows that as a kid I was big on box top and the like offers, especially so the radio premium offers such as Ovaltine's Captain Midnight's Radio Premiums and more specifically in my case, the 1942-1945 Photo Matic Code-O-Graph version that figured so prominently throughout my childhood into adulthood. So, as far as I viewed it, comic book ads were a quick jump, falling into a similar or like category. Matter of fact the first comic book ad I ever answered was for me to become a Junior Air Raid Warden, of which the ad appears just below the Army surplus ad. I don't think I was even in kindergarten when I sent for the Air Raid Warden kit. Please notice the two smaller versions of the surplus ad below the Air Raid Warden ad, although similar to the color ad above, both offer signaling mirrors for 35 cents. Signaling mirrors played a prominent role between the famed mathematician, meteorite hunter, and astronomer Dr. Lincoln La Paz and my uncle regarding a pre-Roswell UFO encounter. Remember too, from the main text, every time I went to Palley's I always came back with a bunch of World War II army surplus stuff like canteens, pistol belts, parkas, infantry backpacks and Army M43 folding shovels. The comic book mail order made it a lot easier. Notice as well, in those days a kid could order knives, machetes, and axes if one was so predisposed.
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The following, as found on the fan page so cited, is fairly typical of what is considered about Sheena and her persona:
"Sheena, unlike Wonderwoman
(created to target young girls as the main audience), had a target audience of young boys. Wearing only the smallest fur and leopard costumes, this blonde heroine swung into the hearts and minds of young boys that came back monthly for another issue."(source)
FOR ISSUE #1, SPRING 1942 SEE
SHEENA, QUEEN OF THE JUNGLE
SEE ALSO
RANGER COMICS NO. 63 FEBRUARY 1952
COUNTRY-WESTERN SINGER CINDY WALKER
A few people have come forward with emails asking me if the female vocalist could have been a country-western singer of the era by the name of Betsy Gay. What I have been able to determine from the information and background material I have seen so far, including photographs and various biographies, it does not seem so. For some reason, from what I remember about the female vocalist, Betsy Gay just doesn't fit the bill --- plus the timing isn't right. It has been reported that sometime in 1946 Besty Gay left the Los Angeles music scene to tour the east coast. Texas Jim ran a contest to find a female vocalist to replace her. Who that replacement was I have not been able to find out. When Betsy was asked who replaced her she wasn't quite sure, but thought it might have been Becky Barfield. As for the information I have been able to garner on Barfield, like that of Betsy Gay, she does not seem to fit the bill either.
COUNTRY SINGER CINDY WALKER CIRCA 1946
Personally, for the record, although many say it would be a stretch, I still have a tendency to lean toward Cindy Walker, a country-western singer and song writer of some repute. She came to Los Angeles with her parents from Texas in 1940 at the age of 22 not returning until 1954. Interestingly enough, it has often reported she never married. However, in an interview with the New York Times shortly before her death, without giving any details, Walker stated she did at onetime have what turned out to be "a very short-lived marriage." Love is a funny thing and not every minute of Cindy Walker's life was etched in stone. If she was in love with the ex-marine, no telling how she may have conducted herself. In 1941 Walker signed a five year recording contract with Decca based on the strength of a demo she sang titled "Lone Star Trail." The Decca contract led to her recording several songs and working with Texas Jim Lewis and His Lone Star Cowboys. For a few years Texas Jim's Redondo Barn would have been a perfect forum.
CINDY, A BOY'S LOVE AS I REMEMBER HER
Although I lean heavily toward Cindy Walker as the the female vocalist in my early life, I have never been able to pinpoint the vocalist with any amount of certainty. There was, however, a tall blond buxom young woman i did meet at around the same time through the ex-Marine taxi driver that I do know and remember the name of right up to this day, primarily because we remained in contact on and off over the years, at least through the the late 1970's anyway. Her name was Mary Davis who became a major Redondo Beach entrepreneur and top west coast if not the nation's foremost female road race driver. She and her husband Bob Drake, also a race driver, opened a sports car themed restaurant and pub in West Hollywood. Following their divorce (1961) she moved on sans Drake leaving her imprint on Redondo Beach, more specifically from her vision and insight designing, building, and running the highly successful Portofino Inn.
I was 8 years old when I first met Mary Davis and she was 18 not long out of the Marines. In 1943 at the tender age of 15 Davis left high school and using her at 5 foot 7 inches tall stature along with fudging about her age, joined the United States Marines. With completion of her basic training she was soon assigned to a base near San Francisco repairing fuel injections for M-4 tanks waiting to be shipped out to the the South Pacific. It was then her true age was discovered and just short of fulfilling her enlistment assignment and much to her chagrin, discharged. It wasn't long after that the war ended and thousands and thousands were discharged anyway.
Just around that same time and among those thousands discharged G.I.s was the ex-Marine now taxi driver that I crossed paths with when I ran away from home after my mother died.. Although Davis was from San Diego, she ended up attending then dropping out of high school in Los Angeles to join the Marines. For whatever reason, even in those pre-teen years before the Marines and high school she began putting her toe into the water regarding Redondo by riding the Pacific Electric Red Car from L.A. with her older sister starting in 1940 or 1941, but for sure, before the war. Her older sister fit in fairly well with the teenage boys and fledgling G.I.s that showed up and hung around the beach, pier and the front, but she at age 12 at the most, Mary found herself just missing out.
One day, as Davis told it and collaborated by my grandmother in separate instances, my family and I had gone to the beach next to the pier like we often did. Unknown to anybody I had wandered off like I often did when Davis came across me. Thinking I was lost, she took me up to the pier, bought me an ice cream cone, then took me to the life guard shack. Right away the life guards knew who I was and right away we were all reunited, with Davis being asked to join us. After that every time she came to Redondo she sought us out. Then one day without her knowing about it or why we stopped showing up and one day without us knowing about it she was in the Marines
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MARY DAVIS--------------------BOB DRAKE
VERONICA LAKE,- PROBABLY AROUND 1948
CLICK FOR HOW I WISH I REMEMBERED HER
VERONICA'S TYPICAL NON-WESTERN ATTIRE
THE DRAGON LADY
LAI CHOI SAN, THE DRAGON LADY, IN HER FIRST APPEARANCE, SUNDAY DECEMBER 23, 1934
One of the pages I have on the internet follows the adventures of a former pilot for the Flying Tigers turned rogue who, like Tommy Tomahawk, continues to fly his P-40 against the Japanese invaders of Free China during World War II long after the Tigers were disbanded. Called the Lone Tiger, he and his story is illustrated by master artist-cartoonist Wally Wood. Although the Lone Tiger and the P-40s are drawn and presented in a serious tone, Wood himself was a one-time major cartoonist for Mad Comics. One of his most famous stories is a spoof on Terry and the Pirates called Teddy and the Pirates. Milton Caniff, who himself was famous for drawing Terry and the Pirates had in his mix of characters a woman he called the Dragon Lady, based on a real-life warlord of the seas, a pirate queen by the name of Lai Choi San. When the person I call my Mentor in all my works was a young man he was traveling back to India from the Himalayas overland through China. He departed China towards the Philippines via the South China Sea. In doing so, after meeting Lai Choi San, he traveled on one of heavily her armed junks and got to know her fairly well, of which, over time he related to me. In Woods satirical rendition of Terry and the Pirates he draws my all time favorite visual presentation of the Dragon Lady who he calls the Dragging Lady:
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TERRY AND THE PIRATES
TEDDY AND THE PIRATES
WANDERLING AND THE PIRATES
Although the dates and times are such that it could not occur, and NOT a Dragon Lady in any classical sense of the word, Woods could have modeled his 'Dragging Lady' almost directly off Madame Ky, the wife of the former Vietnamese Air Vice Marshal and onetime vice president of Vietnam, General Nguyen Cao Ky. To wit:
THE BEAUTIFUL MADAM NGUYEN CAO KY CIRCA 1964
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MEETING WARLORDS, ET AL
In the above cartoons Woods draws my all time favorite visual presentation of the Dragon Lady he calls the Dragging Lady and drawn not too different than I have always depicted her myself. In later years, staying in a similar but serious theme Wood turned his artistic talents toward a person he called The Infamous Madam Toy as shown in the graphic below:
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In 1962 Wood also contributed his creative skills to a series of baseball-like collectable cards called Mars Attacks. As the cards related to me, one of those Mars Attacks collectables played heavily in what I have written about regarding the possibility of a Roswell ray gun. My uncle is said to have found what was for all practicable purposes a hand-held weapon at the Roswell crash site, only to hide it away by burying it some distance up and behind the debris field. Years later when he told me about the existence of such a weapon the first thing I saw in my minds eye was the disintegrator used by the Martians as shown below in the collector series:
THE ROSWELL RAY GUN
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THE COLLEGE YEARS
Both as a graduate and undergraduate student in college I had the good fortune of meeting many people, students, teachers, professors, et al, that because of our interlocking college connections one-way-or-the-other, played significant enough roles in my life that mention of them have shown up in several of my works. The raven-haired beauty I introduced to my mentor as so cited in the above main text, well she and I eventually married.
The onetime philosophy major I knew in college but who had somehow morphed into a big time computer geek that shows up in Adam Osborne, well, she and I met when she just started college at age 18 --- and we are still friends to this day. In an offhand sort of way she played a major role bringing Osborne and I, who I had met at the ashram of Sri Ramana in India when we were both kids and hadn't seen in years, together as adults. Osborne himself at the time was morphing --- or had morphed into Steve Jobs of Apple computers chief nemesis and adversary during their early years in Silicone Valley --- so much so that Jobs felt compelled to phone him personally and out-and-out call him an asshole.
Following a ten-year continuing series of unexplainable minor but escalating life threatening and life interfering strokes, Osborne returned to India, passing away there in 2003 at age 64.
Another example of a person that wouldn't be in my life if it wasn't for college is mentioned in Stephen Hawking. Years after our graduations she just happened to become a person high enough up within the scientific community of the U.C. system that I was sure she would be attending some function or the other surrounding Hawking and would be able to arrange a meeting with him, and did. She is also the same person that is a conservation biologist with a PhD emphasis in endangered species that shows up in High Mountain Zendo
Post college, and not college related relative to me but internet related ---where a lot of my focus seems to be now days --- there are four people I really admire, for their body of work, what they say, and how they say it. Not everybody holds them in such high regards say as I do, and a great many down right hate them, but for me I love their stuff:
Of the four, at least in the narrow sense of how of the four he relates to the contents of what I have been presenting here on the Firehair page, Ed Fisher stands out. Fisher makes reference in his works to a woman, Pattie Brown, that he fell in love with sometime in the early 1970s and lost not long afterwards, never to see her again. In Fisher's and my back-and-forths over the years and the depths of his comments and the strengths of his feelings I came to be at a point that I too almost felt as though I knew her and that I too lost her. For his loss, I feel as though it was my loss, although truth be told I never met Pattie or ever knew her.
Although not of the female persuasion, but influential nonetheless, is an old Army buddy that I talk about in The Strange Odyssey of the German U-boat U-196 who pulled me out of an about to be zipped-up body bag when both of us somehow discovered I didn't quite fall into the already fully dead category. Years later I was cutting across Arizona from Phoenix to Flagstaff on my way to Santa Fe, New Mexico to see my Uncle who was quite ill. In the process of that cutting across I went through the mile-high old mining town of Jerome hoping to catch up with him who living there at the time. After the Army we attended the same university on the G.I. Bill taking several classes on and off together and hanging out. As time went on our interests diverged and we ended up going our separate ways. However, like I say on U-196 page, Footnote [6], I did catch up with him for a few days in the old mining town in Arizona where he ended up living.
Of course, last but not least, there is always the following, a fabulously beautiful student and oft-time professional model I met in college the same time my army buddy and I was there. Mostly coffee, walks, and many hours of talk, especially one morning early just the two of us along the net-laden fishermen docks in San Pedro with the fog just lifting and the tuna boats just getting ready to leave. The smell of diesel exhaust, the distant sound of seagulls, her still in a cocktail dress from the night before, barefoot on the wooden wharf, hand carrying her red spaghetti strap stiletto high heels. Then with our spring semester waning, the summer upon us and classes and the semester over she eventually moved on. Her modeling career morphed into becoming an American Airlines flight attendant with a last name change to Dean. Then in the process marrying some way-out-of-my-league tennis champion medal winning dude who had a wife named Sally from their Northwestern University days. How all the changes came about or how they were straightened out I have no idea. I heard she went on to have a couple of daughters, or so I've been told. I know that her father, Tomio, known as Tom, who she introduced me to many years ago, passed away late in the year 2013. Most importantly though, as far as I am concerned, is that her dad received a Congressional Medal of Honor in 2010 for his service to the United States during World War II.(see)
The last time I saw her was April 3, 1968. Although she was no longer attending college, at least the one where she and I met but I still went to, she showed up to get transcripts or some such thing and while doing so, looked me up. There was a big freedom of speech protest going on that day and Allen Ginsburg was on campus to join in on the demonstrations. Before it was over 47 students had been arrested. Ginsberg read a poem titled "Open City #49" in three different locations that day and she went to one of them with me. She insisted we position ourselves in such a fashion that we, or more so she, didn't get caught up in any arrests, which we were able to do. As far as the poem Ginsberg read titled "Open City #49," it may have been a spur of the moment one not meant for posterity as I have never been able to find anything on it. In that the college logo was a 49er and the university was named after the city it was in there may have been a connection.
If you go a couple of paragraphs down in the main text from the paragraph this footnote is linked to you will run into the following sentence:
"Little did I know that those easy going comic book reading days were numbered, ending with my stepmother's ranch being sold, my dad and stepmother going to Mexico and South America for a two year stretch and me once again being thrown into or under the auspices of another foster couple."
A year or so passed with me living with the aforementioned foster couple when I decided to run away from home. I did so after hearing that my stepmother, actually my ex-stepmother by then as she and my dad had since divorced, bought a new ranch in the Mojave Desert almost as soon as she returned from her two year travels in Mexico and South America. Without approval or anybody's knowledge I took a Greyhound bus to the then little town of Palmdale hoping to come into contact with someone who might know where she was. By the time I got to Palmdale it was a little to late to learn much so I went to the ranch that neighbored the ranch I used to live on seeing if the owner could put me up for the night, which considering my situation, they were most willing to do.
The son of the owner, that is the brother of the five sisters, and I immediately began reading comic books just like we used to do a few years earlier when I lived down the road, with the brother digging out one specific one he insisted on me reading. He told me the first time he saw the comic he thought of me specifically and always hoped he could share it with me because of a story I told him once that he never forgot, a story about a flying machine I built based on a Leonardo Da Vinci design that I actually flew.
In the comic book that he was so compelled to have me read, issue #4 of the DC comic dated March-April 1951 called Tomahawk with a cover story titled The Flying Frontiersman, featured a story in which the main character, Tomahawk, in 1771, uses a flying machine based on a Da Vinci design and almost like the one I built and flew, to battle a renegade Native American bent on stirring up a war between the Indians and settlers.
At the end of the summer of 1953, just as I was about to start the 10th grade or so, the August - September #6 issue of the comic book Mad came out. Inside #6 was a story, drawn by my all time favorite non-animator cartoonist Wallace Wood, that spoofed or satired big-time the long running comic strip Terry and the Pirates, with Wood in his spoofing, calling it Teddy and the Pirates.
Although I had followed Terry and the Pirates a good portion of my life, and knew how Milton Caniff, the artist-cartoonist of the strip, presented Terry's world that he and his so-called Pirates lived in, Wood's top-half opening drawing below, showing his version of an underbelly far east like milieu, real or not, that exemplified the Asian atmosphere along with the rest of the story hit me like a hammer, with me, the teenager that I was, sucking up his version as my version and as my version, the real version. Ten years later, thanks to Uncle Sam and his friendly Selective Service, found me in Rangoon, Saigon, and Chiang Mai, as well as other such places, even meeting warlords. Those ten years after high school, especially in and where I traveled, having gone from a teenager to an almost mid-twenties GI, my vision not only didn't wane, but was bolstered and grew. Notice the tommy guns, stabbings, hand grenades and exotic women. So too in the second panel, i.e., lower left hand corner, the two crashed P-40 Flying Tigers. See:
The biggest draw for me to Terry and the Pirates besides the milieu and perhaps being in love with the Dragon Lady, was that the characters were eventually drawn into the events surrounding the China-Burma-India theater during World War II --- and especially so Milton Caniff's use of U.S. Army Air Corps Curtiss-Wright P-40's carrying markings similar to the Flying Tigers, as found, for example, in the following Terry and the Pirates story:
A few years after graduating from high school but before being drafted, a buddy and I went on road trip throughout Mexico. We bought a 1951 Chevy panel truck we fixed up like a camper and drove down the Baja peninsula crossing by ferry to the mainland from Santa Rosalia, eventually going as far as the Yucatan before turning back toward the states. During the trip, which is fully outlined at the link cited after the quote below, I sought out Colonel Greenlaw who was living in Baja Mexico at the time. Even though where he lived was a rather remote area, it was fairly convenient because our route took us almost right past his place. A little detour and we were there. To wit:
"After leaving Ensenada we continued south on some pretty crummy roads eventually turning eastward across the peninsula to the little town of Santa Rosalia, taking a ferry across the Sea of Cortez to Guaymas. On the road south just before it turns more eastward across the peninsula to Santa Rosalia we turned on Highway 18 not far from Guerrero Negro as I wanted to catch up with a man I hoped to meet who was said to live at a place called El Arco. The man was Colonel Harvey Greenlaw, the onetime second in command of the infamous Flying Tigers of World War II fame. I had read his wife's book Lady and the Tigers (1943) and heard somewhere along the way that Greenlaw lived there. Since I was close by and most likely would never be back I made it a point to look him up, spending a couple of days."
When I was eight or nine years old I went on an almost all summer long excursion throughout the desert southwest visiting a variety of major and minor historical sites as well as fossil and archaeological sites all across Arizona and New Mexico with my uncle. One of the places we visited when we got to New Mexico was Fort Sumner, stopping there specifically for me to see the gravesite of the infamous western outlaw and bad guy Billy the Kid.
Because of a few highly memorable adventures and people I met during that excursion I created a couple of web pages devoted to it. One of the pages revolves around a post high school teenager I met named Tommy Tyree. Tyree worked on a ranch for a man whose dad's brother, in 1908, shot and killed Sheriff Pat Garrett, the man who had in turn shot Billy Kid in 1881. Because of such Tyree was a minor historian of Billy the Kid. However, his major claim to fame was his stature as a witness to the events surrounding the alleged crash of an object of an unknown nature that came out of the night sky during the summer of 1947 related to what has come to be known as the Roswell UFO. The other page, because of my visit to Billy the Kid's gravesite, I have dedicated it to Billy the Kid. On that page I use a graphic of a fairly famous oil painting done in 1937 of the Kid by a fellow desert southwest artist and friend of my uncle named John W. Hilton, of whom, through my uncle, as a kid I both met and as well, saw the original painting.
In an article on the net about Col. Harvey Greenwall said to have appeared in Cabo Life Magazine, reportedly states that the same artist, John W. Hilton, painted a mural on Greenwall's wall a year or two before I visited him --- during the same period Hilton was gathering material for a book he was writing titled "Hardly Any Fences," a book that dealt with his various travels in Baja California from 1933 to 1959. In a chapter or section of that book, published in 1977, titled "South to El Arco," in his own hand, Hilton presents a slightly different version of any attempt at what could possibly be misconstrued as him having painted a full wall mural:
"I took a liking to Harvey Greenlaw at once. His house
had a dirt floor but there were murals on all of the walls
painted and drawn by artists and would-be artists who
had stopped by to visit him. I added some cereus and
cactus plants on each side of a painting of the Virgin of
Guadalupe. This gave her a local touch, we thought."
Two years later I was working as crew on the marlin boat come yacht of the multi-millionaire heir to the Halliburton oil fortune, David J. Halliburton Sr. On the way back from Cabo San Lucas I talked the skipper into pulling into Scammon's Lagoon not far from Guerrero Negro for a quick dirt bike trip over to Greenlaw's place in El Arco. However, except for a housekeeper who didn't know where he was and didn't know when he would be back, the place was empty, my trip to see him too no avail.
Greenlaw, who was born November 14, 1897 in Wisconsin, died January 10, 1982 in Baja California, Mexico after residing in Baja for almost all of his post Flying Tigers life. See:
NOTE: The opening quote at the top of this footnote shows up as a footnote in Of Cobras, Scarabs, Maseratis, and Zen except I make reference to some of the conversation between Greenlaw and myself.(see)
A few years before my mentor sent me to Pulyan's compound, while in the military, in the court of a Laotian warlord, I was requested to participate in, without many options to opt out or do otherwise, a ceremony that circled around the heavy use of opium. Dressed in local garb I layed on the floor on my side with a thin, three-foot long pipe, attended to by an ancient man that assisted me through the various paces. A couple of times afterwards, on my own and with others, I participated in a much less formal ritual called "chasing the dragon," but instead of a pipe, using a matchbox. That was ages ago. Those days, as well as any other such youthful indiscretions, are long gone and long over. The thing is, when the effects of the opium took over, it was like I had disappeared or no longer existed, having melded into the larger whole. Yet my eyes still took in, in a very high super-clear intensity, all of my surroundings. Where or what my eyes were connected to or how they were able to work or record my environment --- and for me to still know about it I don't know --- as there did not seem to be a back of my head or even a head.
Early on I can remember engulfed and removed from everything, but still looking down and seeing my toes barely sticking out of what seemed to be a wavering silver or mercury surface spreading out before me with a shimering reflection almost mirage-like with me somehow floating without weight or body. It was warm, embracing, enticing, and euphoric.
When I first met Pulyan's teacher, although not everyone seemed to be attracted to her on the same level I was, that was the way it seemed to me. Warm, embracing, enticing, and euphoric --- with no back to my head and what there was of me, if there was a me, melded into the whole.
I remember when I first heard of Olga Greenlaw. I was a very young boy, probably not even ten years old. I had pulled a copy of Olga's book Lady and the Tigers down off the library shelf of my yet-to-be stepmother and just in the process of beginning to glance at it when she, my yet-to-be stepmother, walked into the room and saw me looking at the book, telling me she knew the author:
"With that she crossed over to a desk centered in the room located in distance not far from the far wall. On the other side of the desk, the chair side, she pulled opened the second or third drawer on the lower right removing an envelope from a folder. In the envelope, as I was soon to learn, was a black and white 5X7 glossy photograph of Olga Greenlaw. After showing me the photograph she put it back in the envelope placing the envelope in the back of the book between the back hard cover and the last page. I must have looked at that photograph a million times and especially so when I reached 15 or 16 years of age. Its a wonder, the teenager that I was then, I didn't go blind imagining what was at the end of her legs where they ran up to." COLLEGE BRINGS THE RAVEN-HAIRED BEAUTY: For those who may be so interested my initial attraction toward the raven haired beauty I had introduced my mentor to wasn't fostered by nor a direct result of having met the woman in the museum even though as some claimed who met them both, they were "exact duplicates." Neither of them were based on some early infatuation of Olga Greenlaw, the author of Lady and the Tigers, either. If "responsible" can be used in such matters the person more closely or most directly responsible would fall to the person so pictured below whose husband owned an art gallery in La Jolla, California.
She entered into things during my last year or so of high school. The owner of the gallery, who had an avid interest in pre- Columbian art, mounted an invitational only exhibit to show off and possibly sell some of his collection. Since most of his artifacts were three dimensional or sculptures he wanted to fill the rest of the gallery space, i.e., the walls, with compatible works. In doing so he approached his friend Diego Rivera for names of artists whose subject matter in drawing and painting of the desert southwest and Mexico would meet the criteria. Among Rivera's suggestions was my uncle, the two having known each other having worked together for The Federal Arts Program under the Depression era WPA. My uncle was unable to attend the invitation only opening nor too was my dad who my uncle asked to serve in his place. Instead I was tapped and most happily so.
A number of dignitaries were supposed to be there that night of which movie director John Houston, a collector of pre-Columbian works, was one. Among those there it was quite apparent neither I nor my high school same-age girlfriend were collectors or one of the artists. The lady in question, Queta Cabanillas, as seen in the photo below, came to my rescue, discovering quickly I was the nephew of one of the exhibiting artists. She took me right to the painting and I must admit I was a somewhat disappointed. The painting was not one of his better works and it looked small and lost among some of the other works. She had a different take on it however, saying they already had several offers and wished she had a few more of his paintings.
If you go to the Bhagavan Das page titled Kermit Michael Riggs, about his early Laguna Beach connections, you can just catch a glimpse of the raven harried beauty standing to the left in the opening photo at the top of the page and see the comparison between she and Queta. By clicking the photo then clicking it a second time it enlarges to more than full screen size. By doing so you can see her designer sunglasses and handmade leather sandals from the sandal shop in the back of Cafe Frankenstein, with a pair of heel straps added afterwards. The raven haired beauty also shows up in a small dance scene in one of the Beach Blanket series of movies. See:
Sky Girl didn't show up until late in the war, appearing for the first time in issue #68 of Jumbo Comics carrying a cover date of October 1944. She continued to appear in Jumbo Comics until well after the war, the last being issue #129, November 1949. Sky Girl's real name was Ginger Maguire being the main character in several World War II aviation adventures. In the early stories she was forever in search of a career in aviation with an extra added annoying subplot of always being in search of a husband. During the war, somehow remaining a civilian, she managed to get a job ferrying military equipment around the South Pacific. Although she could fly all types of planes she just wasn't very good at it, invariably crashing and caused property damage --- although in most of the plot lines, having done so always seemed to end up in her favor. Post-war she began to flounder, eventually getting a job as a waitress at an airport cafe, dyed her hair blonde, but continuing to have aviation related adventures, mostly because of the proximity of her job with planes, with most of the protagonists no longer being Japanese but the mob.
Even though Sky Girl appeared in several issues published while the war was still raging, and all of the stories being aviation related and appearing in the South Pacific, unlike Jane Martin, War Nurse, only a few times did Curtis Wright P-40 Tomahawks show up clearly, of which one if I've presented above. Never were they specifically important to the plot line. Below pretty much shows what most young male teenage comic book readers liked about her.
TARZAN AND JANE JANE'S FORBIDDEN ZONE People have come forward on-and-off over a period of time asking or saying, in that I make such a big fuss over Johnny Weissmuller Tarzan movies and how they, or at least one of them it would seem, and we are talking Tarzan and the Huntress here, impacted my life so much, how is it possible I missed Jane? The people, usually composed of my same age or older males, continue usually with something that goes like: Jane was an outright babe, especially so in the six movies she was played by Maureen O'Sullivan, how could I have missed that?
The series of Johnny Weissmuller Tarzan movies started in 1932 with the first being Tarzan, the Ape Man. By the time the movies ran their course a total of 12 movies had been made, the last being Tarzan and the Mermaids in 1948. During that 12 movie stretch, which started long before I was born, with nearly four made before I was even born, I grew to the ripe old age of around 10 or so when the last one was made.
Generally speaking, when people talk about Johnny Weissmuller Tarzan movies and Jane, by Jane they mean Maureen O'Sullivan. So too, even if they are Tarzan movie aficionados, most can't name any of the other women who, if they weren't O'Sullivan playing Jane, who they were. O'Sullivan starred in six of the Johnny Weissmuller Tarzan movies and those six are usually considered the best of the series. From that point the franchise changed studios, from MGM to RKO. The movies ended up having smaller budgets and Maureen O'Sullivan, under contract with MGM, not being able to make the switch. There was a sort of formula movie decline in quality using scenes and stock footage from previous Tarzan films over and over.
The question is, since O'Sullivan's last Tarzan movie was made in 1942, in that I was quite young, how is it she, or anybody else for that fact during that time or era, fall into being a female person of my admiration? Well, for one thing, she didn't. However, that didn't stop my older brother and same age first cousin going nuts over her and me and my much younger buddies, but wanting to be somebody too, being caught up in the residual outcome of same.
In one of the early footnotes referenced from the main text above I offer the following:
"Like so many young boys growing up during my era I loved cowboy-western movies and the actors that showed up in them. As well, right up there with westerns were Johnny Weissmuller Tarzan movies, especially Tarzan and the Huntress, Warner Brothers cartoons, Leonardo Da Vinci, astronomy, the cosmos, rockets to the Moon and Mars, Buck Rogers and Flash Gordon, along with a myriad superheroes, especially the 'mortal' type such as the Spirit and Captain Midnight. But still it remained, the cowboy western movie stars and heroes such as the Durango Kid, Lash LaRue, Gene Autry, and Roy Rogers, their horses Champion and Trigger, and their sidekicks Smiley Burnette, Gabby Hayes, and Andy Devine were the ones that in the end interacted in my life in real life."
The point being brought up, and why I'm making it again, is because even though the Tarzan movies had been released previously they continued to show up like they were brand new in Saturday morning movie marathons and matinees, one after the other along with a zillion "That's All Folk's" Warner Brothers cartoons. Remember this was all long before anybody had ever heard of DVDs and video tapes. Somehow, through the grapevine or other means, my older brother and cousin became privy to the fact that in the 1934 movie Tarzan and his Mate there was a special place and time in the film that what was becoming to be called by them and their cronies, Jane's fully exposed and visible "forbidden zone" --- that is, her muff, box, pussy, beaver, twat, fur pie at the Y, etc., in other words, her vagina (sorry folks, no "c" word here) all of which is clearly seen in a click through below.
After one of the local theaters showed a Tarzan movie marathon and a small group discovered what was going on they did everything they could to get a clearer or better view. In what turned out to be a much more coordinated effort than done by a couple of kids, a number of them would break into various theater's projection booths and steal the reel it was on, usually with or instigated by older kids that seemed to be more post high school teenagers and often guided from a distance by adults, sometimes ones working in the booth, unrolling film from the can and cutting out just the frames they wanted and trashing the rest. Often, after breaking into the closed theater in the middle of the night and letting a number of "audience" members in through side exit doors for a price, they would make their way to the projection booth running the reel forward to just the right point and stop it, projecting it onto the screen frame by frame until the heat of the bulb just burnt it away then move on to the next frame. How many films were damaged, ruined, or destroyed in such fashion is not known. I do know there was a sizable underground culture that existed around the whole thing and a lot of Pee Wee Herman going ons in the dark theaters. To see how clear Jane's forbidden zone showed up click image below. There is also a video from the movie of same at the link. The movement makes it much clearer.
Otherwise, to show you, although perhaps in the extreme of the innocence of kids and how rough it could get, I present the following from the source so cited:
"On one of those nights I was working the door, in what was really kid's thing, several big time thugs, adults in suits and carrying guns, came to the exit door, stuck a .45 in the face of one of the guys watching the door and taking money, then shoved him aside and told him to tell whoever was in charge to start showing the movie. I was at the door that night and why or how a couple of the men may have seen and come to have recognized me."
"Sometime in the spring of 1982 and a year or so after being gone two years in the Peace Corps, a very good friend of mine, a onetime philosophy major that I had known in college, but somehow now having morphed into a big time computer geek, contacted me.
"She told me the man she loved was on the waiting list for a heart transplant at Stanford University and that she had moved to a small studio apartment in Campbell, California to work in Silicon Valley and be within driving distance to see him. She wanted to know if there was some way I might be able to console him as he was wrought with anxiety almost to the point of a total breakdown --- in turn adversely impacting his health and preparedness for the transplant. Before a new heart with his match was available he died."
The above quote opens an article about Adam Osborne, who was not only a friend of mine and major foe and adversary to Steve Jobs of Apple Computer fame in their early years, he also grew up as a young boy in the ashram of the venerated Indian holy man the Bhagavan Sri Ramana Maharshi, and where I met him. Osborne is, however not the person so mentioned on the waiting list. He came into the picture because of the person on the waiting list.
In the main text of the Osborne article I write that my initial stay of several days after going to Silicon Valley turned into several weeks, then several months, eventually extending into a period pushing nine months. However, I wasn't there totally from day one day-after-day around the clock through to my departure. During that period I was sort of using the area as a base of operations just like I would almost anywhere, coming and going as needed doing any number of things. Plus, for most of that period my friend had a regular day job and mostly unavailable during working hours and just as well, often not able to put together several days back-to-back over any extended span on a regular basis either.
It was under the above circumstances that during a trip to Southern California I ran into Madame Ky, the former Dang Tuyet Mai, at her boutique. The two of us knew each other through her husband, I just didn't know she had opened a boutique. As it was, typically I would have no call to be at the particular mall her business was located, but on the day we ran into each other I had gone there specifically looking for someone. The daughter of a couple I knew who lived on the east coast had only just graduated from college and moved to Southern California and started the very first year of her very first job as a special needs teacher. The school, Gill Special Education Center, an Orange County Department of Education school site, was located in a residential area in a former elementary school about three blocks south of the mall. I had told the parents, given a chance, that when I was in Orange County I would go by to see how she was doing. The day I went by the school she had taken her class on a community outing to have lunch at the mall. While at the mall I just happened to come across Madame Ky. We made arrangements to see each other again and after that I saw Madame Ky several times, usually for tea and chat.
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ON THE RIGHT, OVER A HALF CENTURY LATER
THE THING FROM ANOTHER WORLD 1951
WANDERLING AND THE PIRATES
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MY MEETING WITH COLONEL GREENLAW:
BILLY THE KID BY JOHN W. HILTON, 1937
COL. HARVEY GREENLAW
MEETING WARLORDS, ET AL
KHUN SA: THE SECOND WARLORD
LADY AND THE TIGERS
QUETA CABANILLAS
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THE LADY ON THE DOCK, THE PBY, AND HIGH BARBAREE
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CLICK AGAIN IF YOU WANT TO SEE HOW I WOULD HAVE REALLY LIKE TO HAVE REMEMBERED HER!!
FOR VIDEO. THE MOVEMENT SO SHOWN MAKES FOR MUCH CLEARER RESULTS
HAVING ICED TEAS
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MEETING WARDLORDS ET AL
PANORAMIC VIEW OF HALLIBURTON'S HOTEL TWIN DOLPHIN AS IT LOOKED 1980s-1990s
